Colour Correction at Identical Pictures

Colour correction is where the footage starts to settle into its final look. It’s not about reinventing the image — it’s about making sure everything sits together, shot to shot, scene to scene. At Identical Pictures, we use this stage to balance the visuals, fix any inconsistencies, and make sure the look supports the story, not distracts from it. Whether you’re working on a feature, a spot, or a series, our job is to get the visual tone locked in — balanced, consistent, and ready for final grading or delivery.

 

 

Built Around Resolve, Tuned for Accuracy

Our colour suite runs on DaVinci Resolve Studio, with advanced control panels and calibrated EIZO 4K monitors.

The gear is solid, but what matters more is the process — fast, responsive, and reliable for both on- site and remote sessions.

 

The Work We Focus On

We’re not chasing dramatic looks unless the story calls for it. Most of the time, it’s about getting the technicals in place and the image sitting right. That means:

  • Fixing colour imbalances across shots
  • Matching contrast and exposure between scenes
  • Cleaning up white balance or saturation issues
  • Maintaining skin tones and natural light where needed

We shape each project’s look to stay out of the way — unless there’s a reason to push it. When you want something more stylised or unconventional, we’ll work with you to build that look from the source.

 

Remote and Review-Ready

We work with both local and international clients, and a lot of our colour sessions are done remotely. We can provide:

  • High-quality reference exports
  • Remote review sessions
  • Fast turnaround on revisions
  • Clear delivery schedules across time zones

We’ll give you what you need to sign off confidently, without guesswork or delays.

 

Part of a Connected Post Workflow

Our colour correction team works closely with editorial, online, and sound — so we’re not waiting on locked reels or tracking down missing assets mid-session. The grading process moves fast and stays organised from day one.

Need LUTs for your DIT? Pulling a version for a rough cut? Already thinking about versioning? It’s all accounted for early.

 

Need a Reliable Colour Pass?

Whether you’re in the finishing stage or cleaning up a pre-grade pass, we can take over and get things looking how they should.

 

Reach out and let’s get your grade locked.

Services

Shot-to-Shot Colour Balancing | Contrast & Exposure Matching | White Balance & Saturation Adjustments | Skin Tone Preservation | Stylised Look Development (On Request) | Remote Colour Sessions | High-Quality Reference Exports | Pre-Grade Colour Prep | LUT Management for DIT | Colour Prep for Versioning & Delivery

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