Data Wrangling & DIT at Identical Pictures

In modern production, data is everything — and losing even a frame can cost time, money, and trust. Our DIT and Data Wrangling team makes sure that doesn’t happen. From the moment footage is shot, we handle backups, transfers, and visual integrity checks, keeping the pipeline clean from set through to post.

Whether you’re shooting handheld on a beach or running a multi-cam rig on stage, we manage your media with consistency and care — right there on location.

 

Reliable Data, Day After Day

Our DITs and wranglers work with high-speed tools and proven workflows to handle large volumes of footage without bottlenecks. Every setup is tailored to the needs of the shoot, and all media is tracked, verified, and mirrored across multiple locations.

We handle:

  • Dual-location backups with checksum verification
  • Fast offloads using industry-standard software
  • File renaming, folder structuring, and logging
  • Daily transfer reports and metadata tagging
  • Prepped and synced media for editorial

Our setups are portable, stable, and built for production — not experimentation.

 

Color Pipeline Support from the Start

Beyond data management, our DITs work closely with the cinematographer and camera department to keep the visual pipeline on track. From loading custom LUTs to basic CDL adjustments, we help lock in the intended look — so that dailies, rough cuts, and VFX pulls reflect the visual intent of the shoot.

We support:

  • On-set look creation and application
  • LUT loading and management
  • Shot-level grading previews
  • CDL metadata for colorists and post teams
  • Color-consistent handoff to editorial or lab

Whether you’re working in Rec.709, HDR, or ACES workflows, we’ll keep the look aligned from monitor to master.

 

Fast Turnaround to Editorial

We understand how tight post timelines can be. That’s why we prep editorial-ready media in parallel with on-set work — making it possible for post teams to start cutting without waiting on transcodes or slow deliveries.

We provide:

  • Transcoded proxies matched to NLE specs (Avid, Premiere, Resolve)
  • Synced audio (if recorded separately)
  • File delivery via drive or secure cloud
  • Verified handoff documents and file manifests

Editorial can start cutting the day after camera rolls — or even the same da

Need a DIT or Data Wrangler On Set?

Whether you’re shooting locally in Mauritius or flying in for a fast-paced commercial, our DITs and wranglers are ready to keep your footage safe, sorted, and shoot-ready.

 

Send us your camera specs and shooting schedule — we’ll take care of the rest.

Services

On-Set Data Backups & Verification | Editorial-Ready Proxy Creation | Audio Syncing for Editorial | LUT Loading & Management | CDL Metadata Support | Shot-Level Grading Previews | Colour Pipeline Alignment | Secure Handoff to Post-Production

Share on social media